Ways to discover the collection

Wooden sculpture

Wooden sculpture was an integral part of interior church furnishings. The most important renderings were of the crucifix and Madonna with Child, but the saints were also depicted. Wooden sculptures were usually polychrome; in the early Middle Ages, they were sometimes even covered with gold foil. Especially in the 14th century, ever larger altarpieces (retables) began to be created with carved wooden figures; these were often combined with panel paintings on the altar wings. Many of the wooden sculptures that are now part of the Museum Schnütgen’s collection at one time belonged to an altar retable. Wooden figures were sometimes used to ornament furniture such as choir chairs or lecterns. The altar table, by contrast, was always made of stone. Finally, wood was a popular medium for smaller sculptures intended for private devotion.

 Our Lady of Sorrows from a Triumphal Cross Ensemble, Eastern Alps, c. 1220-1230, beech, H. 141 cm, Inv. No. A 1058, © Rheinisches Bildarchiv

Our Lady of Sorrows from a Triumphal Cross Ensemble
Eastern Alps, c. 1220-1230

 So-called Aix-la-Chapelle Madonna,  Cologne, c. 1230, oak, 102 x 50 x 43.5 cm, inv. no. A 15, © Rheinisches Bildarchiv

So-called Aix-la-Chapelle Madonna
Cologne, c. 1230

 Ollesheim Madonna, Cologne, c. 1260-1270, beech, H. 81 cm, Inv. No. A 1054, © Rheinisches Bildarchiv

Ollesheim Madonna
Cologne, c. 1260-1270

 St. Dionysius, Cologne, c. 1320, walnut, H. 74 cm, Inv. No. A 894, © Rheinisches Bildarchiv

St. Dionysius
Cologne, c. 1320

 The Virgin Mary in the Sun,  Cologne, c. 1370-1390, walnut, polychrome, h. 37 cm, inv. no. A 895, © Rheinisches Bildarchiv

The Virgin Mary in the Sun
Cologne, c. 1370-1390

 Pietà, Rhineland, c. 1380/1390, walnut, 45.5 x 23.5 x 17 cm, Inv. No. A 1052, © Rheinisches Bildarchiv

Pietà, Rhineland
c. 1380/1390

 Wild Man,  Cologne(?), circle of the Parler family, late 14th cent., oak, inv. no. A 47, © Rheinisches Bildarchiv

Wild Man
Cologne(?), circle of the Parler family, late 14th cent.

 Prophet from Cologne Town Hall, Cologne, c. 1430-1440, oak, polychrome, h. 114 cm, on permanent loan from Cologne's Department of Buildings, © Rheinisches Bildarchiv

Prophet from Cologne Town Hall
Cologne, c. 1430-1440

 Head of St. John the Baptist on a Platter, Westphalia (Münster?), c. 1450, oak, Ø 52 cm, Inv. No. A 147, © Rheinisches Bildarchiv

Head of St. John the Baptist on a Platter
Westphalia (Münster?), c. 1450

 The Suffering of Job, artistic circle of Hans Wydiz, Freiburg im Breisgau, c. 1500, lime, H. 26.5 cm, Inv. No. A 1066, © Rheinisches Bildarchiv

The Suffering of Job
Artistic circle of Hans Wydiz, Freiburg im Breisgau, c. 1500

 St. Bartholomew, Lower Rhine, 1500-1510, oak, H. 119 cm, Inv. No. A 761, © Rheinisches Bildarchiv

St. Bartholomew
Lower Rhine, 1500-1510

 St. Jerome, Cologne, c. 1520, lime, H. 160 cm, Inv. No. A 201, © Rheinisches Bildarchiv

St. Jerome
Cologne, c. 1520

 Angel with Banner, Cologne, c. 1530, lime, H. 132 cm, Inv. No. A 860 a, © Rheinisches Bildarchiv

Angel with Banner
Cologne, c. 1530

 The Great Calvary, Southern Netherlands, c. 1430-1440, oak, 119 x 100 x 24 cm, Inv. No. A 998, © Rheinisches Bildarchiv

The Great Calvary
Southern Netherlands, c. 1430-1440

 Double Bust of St. Ursula, Master Tilman, Cologne, c. 1500, oak, 71.5 cm, Inv. No. A 1081 a, © Rheinisches Bildarchiv

Double Bust of St. Ursula
Master Tilman, Cologne, c. 1500