Ways to discover the collection

Art around 1500

The time period around 1500 was characterised by diverse religious and intellectual controversy and tension and showed itself to be a phase of radical change. The growing influence of the humanist school of thought gave rise to an awareness of the individual with a greater orientation toward the here and now. A renewed interest in the study of nature began to have an impact on the depiction of religious contents. Thus, a use of contemporary clothing and the placement of scenes in native landscapes brought the sacred and biblical scenes forward into modern times. In addition to ever larger altar retables that featured scenes with large numbers of figures, there was a growing demand for small-scale sculptures for private devotion. These were often pieces produced in large numbers for export; they were made in the major art centres of Antwerp, Brussels and Mechelen, labelled appropriately and shipped all over Europe. Their growing popularity and the sheer scope of the pieces made it impossible for individual sculptors to meet the demand by themselves. Instead, a division of labour was established. This means that behind the names of the big masters, such as Arnt van Tricht or Master Tilman, there was usually an entire workshop.

 Adoration of the Magi from the Sacristy of the Ratskapelle (Council Chapel) in Cologne,  Cologne, 1474, stained glass, 270 x 175 cm, inv. no. M 594, © Rheinisches Bildarchiv

Adoration of the Magi from the Sacristy of the Ratskapelle (Council Chapel) in Cologne
Cologne, 1474

 The Suffering of Job, artistic circle of Hans Wydiz, Freiburg im Breisgau, c. 1500, lime, H. 26.5 cm, Inv. No. A 1066, © Rheinisches Bildarchiv

The Suffering of Job
Artistic circle of Hans Wydiz, Freiburg im Breisgau, c. 1500

 Tobias Drawing the Fish from the Water, Master of Tobias, Bruges, c. 1500, stained glass, Ø 26.40 cm, Inv. Nr. M 702, © Rheinisches Bildarchiv

Tobias Drawing the Fish from the Water
Master of Tobias, Bruges, c. 1500

 Book of Hours, Ghent or Bruges, c. 1500/1530, parchment, leather binding, 14.8 x 11.6 cm, Inv. No. M 707, fol. 102v-103r, King David, © Rheinisches Bildarchiv

Book of Hours
Ghent or Bruges, c. 1500/1530

 Christ upon the Donkey for the Palm Procession, Cologne, c. 1520, lime and softwood, H. 193 cm, Inv. No. A 124, © Rheinisches Bildarchiv

Christ upon the Donkey for the Palm Procession
Cologne, c. 1520

 Altar Retable with Scenes from the Passion, Brussels, c. 1520, various woods, 100 x 94 cm, Inv. No. A 1095, © Rheinisches Bildarchiv

Altar Retable with Scenes from the Passion
Brussels, c. 1520

 Prophet Antwerp, 1520, oak, H. 55 cm, Inv. No. 872, © Rheinisches Bildarchiv

Prophet
Antwerp, 1520

 Memento Mori, Paris, attributed to Chicart Bailly, c. 1520-1530,  ivory, ebony, 12.5 x 42 cm, inv. B 160, © Rheinisches Bildarchiv

Memento Mori
Paris, c. 1520-1530

 St. Jerome, Cologne, c. 1520, lime, H. 160 cm, Inv. No. A 201, © Rheinisches Bildarchiv

St. Jerome
Cologne, c. 1520

 Angel with Banner, Cologne, c. 1530, lime, H. 132 cm, Inv. No. A 860 a, © Rheinisches Bildarchiv

Angel with Banner
Cologne, c. 1530

 The Shrine of Christ’s Passion, Arnt van Tricht (?), c. 1535/40, oak, 128 x 215 cm, Inv. No. A 859, © Rheinisches Bildarchiv

The Shrine of Christ’s Passion
Arnt van Tricht (?), c. 1535/1540

 Double Bust of St. Ursula, Master Tilman, Cologne, c. 1500, oak, 71.5 cm, Inv. No. A 1081 a, © Rheinisches Bildarchiv

Double Bust of St. Ursula
Master Tilman, Cologne, c. 1500