Ways to discover the collection

The age of the Romanesque churches in Cologne

Taken together, the twelve Romanesque churches, built around 1050-1250, still form a unique ensemble today. The Church of St. Cecilia, in which the Museum Schnütgen has been located since 1956, is one of these prominent signs of medieval Cologne. However, the sacred building’s large, unadorned space is the result of reconstruction measures carried out after 1945. Remnants of murals depicting a narrative cycle of the church’s patron saint and scenes from the life of Jesus hint at the colourful ornamentation that once adorned the church during the Middle Ages. Architectural sculpture also once accentuated the massive walls of the Romanesque buildings. Capitals with interlaced arabesques and imaginative mixed-form animals as well as portal reliefs were used to ornament churches and monastic complexes. Two rare examples of such reliefs have survived from Cologne, the tympana of St. Cecilia and of St. Pantaleon. The depiction of the figures, in media ranging from increasingly large-scale stone and wooden sculptures to book illumination and filigree ivory carvings, is characterised by a symmetrical composition and design. The folds of their robes appear schematised and linear in form, but with echoes reminiscent of ancient Roman sculpture. Their gaze seems rigid, and this is emphasised by their restrained gestures.

 Gereon and Victor Plaque, reliefs: Christ in Majesty with the Martyrs St. Gereon and St. Victor, Cologne, c. 1000, ivory, 17.7 x 9.8 cm, Inv. No. B 98, © Rheinisches Bildarchiv

Gereon and Victor Plaque
Cologne, c. 1000

 Crucifix from St. George, Cologne, last third of 11th cent., willow, 189.5 x 52 cm, inv. no. A 9, © Rheinisches Bildarchiv

Crucifix from St. George
Cologne, last third of 11th cent.

 Descent from the Cross,  Saint-Omer/Northern France, c. 1100, ivory, h. 13.8 cm, inv. no. B 120, © Rheinisches Bildarchiv

Descent from the Cross 
St.-Omer, c. 1100

 So-called Cross of St. Modoaldus, reverse side of an altar cross, workshop of Roger von Helmarshausen, c. 1107, copperplate with remnants of gilding, 42 x 33.5 cm, Inv. No. G 579, © Rheinisches Bildarchiv

So-called Cross of St. Modoaldus, reverse side of an altar cross
Workshop of Roger von Helmarshausen, c. 1107

 Crucifix of a Processional Cross, Rainer von Huy (?), Liège, c. 1110/1120, bronze (yellow brass), 16 x 17 cm, Inv. No. H 70, © Rheinisches Bildarchiv

Crucifix of a Processional Cross
Rainer von Huy (?)
Liège, c. 1110/1120

 Siegburg Madonna,  Cologne, third quarter of the 12th cent., limestone, h. 41 cm, inv. no. K 10 a, b, © Rheinisches Bildarchiv

Siegburg Madonna
Cologne, third quarter 12th cent.

 Tympanum from St. Pantaleon: Christ in Majesty between the Virgin Mary and St. John, St. Pantaleon and Archbishop Bruno, Cologne, c. 1150 – 1175, limestone, 109 x 173 x 29 cm, Inv. No. K 118, © Rheinisches Bildarchiv

Tympanum from St. Pantaleon: Christ in Majesty between the Virgin Mary and St. John, St. Pantaleon and Archbishop Bruno
Cologne, c. 1150 - 1175

 The Nativity of Christ, Cologne, c. 1150-1175, walrus tusk, 15 x 11.8 cm, Inv. No. B 104, © Rheinisches Bildarchiv

The Nativity of Christ
Cologne, c. 1150-1175

 Tympanum Relief from St. Cecilia: Coronation of St. Cecilia between her Bridegroom Valerianus and his Brother Tiburtius, Cologne, c. 1160-1170, limestone, 128 x 236 cm, Inv. No. K 275, © Rheinisches Bildarchiv

Tympanum Relief from St. Cecilia: Coronation of St. Cecilia between her Bridegroom Valerianus and his Brother Tiburtius
Cologne, c. 1160-1170

 Golden Panel from St. Ursula, Cologne, c. 1170-1180, painting: late 14th/early 15th cent. and 19th cent., oak, cahmplevé enamel, gilt-stucco plaques, gilded sheet metal, 114 x 218 cm, inv. G 564, Museum Schnütgen (from the F.F. Wallraf Collection) © Rheinisches Bildarchiv

Golden Panel from St. Ursula
Cologne, c. 1170-80

 Cover of a Carolingian Book of Gospels,  Cologne, c. 1170-1180, (manuscript from St-Amand, c. 860-880), gilt silver with enamel and studded with gemstones, 28 x 20 cm, inv. G 531, Museum Schnütgen (from the F.F. Wallraf collection) © Rheinisches Bildarchiv

Binding of a Carolingian Book of Gospels
Cologne, c. 1170-80

 So-called Aix-la-Chapelle Madonna,  Cologne, c. 1230, oak, 102 x 50 x 43.5 cm, inv. no. A 15, © Rheinisches Bildarchiv

So-called Aix-la-Chapelle Madonna
Cologne, c. 1230

 Arch Segment with Dragon and Human Head,  Cologne, presumably after 1219, limestone, 59 x 25 cm, inv. no. K 231a, © Rheinisches Bildarchiv

Arch Segment
Cologne, after 1219